Fame by Daniel Kehlmann is a
wonderful little treat of a novel for anyone who likes puzzles that are easily
navigable but still might not have a clear conclusion. Reading it I felt a bit
nostalgic to when I first started reading heavily. Its story immediately took
me back to the times when I read all of Paul Auster’s available works over the
course of the summer. Like Auster, Kehlmann inverts the form of the novel,
where stories and being told are sometimes part of something else much bigger
than what you are reading, and you only find this out later on, which could be
in a few pages or a few hundred pages. That is why I like these kinds of
novels, which I really don’t know what the clinical term for them is, because
they offer a new kind of experience from an author to author, book to book, or
even a chapter by chapter basis, and they are the rare kind of books that can
work well at any length, whether they are to read in one sitting or over the
course of a holiday. This is a slim book, at 175 pages, and it is still able to
have an impact of something that might be two or three times bigger. It is also
a kind of book that tackles big subjects, but never in a heavy handed or
didactic way. They have moral lessons, but revel in twists and turns that can
leave you breathless. This one in particular is a novel in nine short vignettes
that revolve around the celebrity Ralf Tanner, whose cell phone number ends up
being given to Ebling, a lowly computer tech, who is at first annoyed by the
calls meant for Ralf, but slowly begins to take them and dictate Ralf’s life,
causing a chain reaction throughout the lives of seemingly unconnected people.
A writer misses a conference due to his increasingly erratic behavior witnessed
by his new mistress; the person who replaces him ends up lost and derelict in
the town she was staying due to some really harsh twists of fate. Ralf himself
is able to walk away from his life when an impersonator of his starts taking
his jobs, and someone keeps arguing with the writer who is telling their story
and controlling their life. It all adds to an ending that is may be irritating
in its ambiguity, but still stunning in its execution. It was an ending that
again reminded me of the shorter novels of Paul Auster, such as Oracle Night
and Man in the Dark. It is just really cool to read something like this, that
never talks down to its reader or intentionally tries to give them headaches,
but challenges them to connect the dots throughout the separate but veiled
connections made between characters and events. You may not make all the
connections or catch all the tiny details, but I am willing to bet you won’t
have more fun piecing together a puzzle than you did reading this.
Rating: 5/5
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