I hate to be the one to give
a somewhat poor review of a book by someone I really, really respect, but
Daniel Woodrell’s Tomato Red really fell flat for me, and it pains me to say
such a thing. He is such an underdog in American writing, and feel he deserves
heaping amounts of praise for when he is doing quality work, but this book does
not fall into that category. Maybe it is because I changed my reading schedule
for the rest of the year to read the entire catalogues of writers I really like
and did not let enough time pass before reading another one of his books after
The Outlaw Album, but I felt this book lacked a certain amount of emotional
drive that made The Death of Sweet Mister such an emotional thrill ride. The
great prose is there, as it always is, but there isn’t much else. It starts off
really good, narrated by drifter Sammy Barlach whose current stop is in
Woodrell’s infamous Ozarks in a place called Venus Holler, where he takes up
with a group of criminals and begins to take out his frustrations on a mansion
they break into. It uses this violent and aggressive image to convey the plight
of life’s losers and the impossibility of change in a stunning and eye-opening
fashion, only to lose balance once Jamalee and her brother Jason are
introduced. Jamalee, whose red hair is where the book gets it’s title,
desperately wants out of Venus Holler, and sees her ambiguously sexual brother
as an opportunity, and Sammy as there ticket out. It never fully comes to
fruition, leading to the typical violent Woodrell ending that pales in
comparison to the devastating final pages of Sweet Mister. Chock it up to other
things on my mind, but Tomato Red is a dud.
Rating: 3/5
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