I don’t know what it is
about British writers attempting post-modern novels and always failing, but
they really do not have the technique down very well. I am not a very big fan
of the genre itself for the most part, with House of Leaves and Infinite Jest being
the two high points for me, but even with the most vague form of an idea in an
American post-modern novel is at least cohesive or have a noticeable
trajectory. But with books by Ali Smith and this one, NW by Zadie Smith, there
seems to be only random thoughts and ideas put down on the page without any
kind of path to follow. But while Ali Smith’s Hotel World was not very fun to
read, NW is at least that. Granted I find it rather pretentious in its subject
matter, something Hotel World admirably wasn’t, this is a quick read, despite
the 400-page length, even if it doesn’t have much of a story. What little story
concerns a day in the life of Leah, a white woman married to an African
hairdresser, who allows a woman into her house who cheats her out of her money.
Her husband scolds her for not being more vigilant, since she is very much a
person who sees time more slowly. The later sections deal with other people who
inhabit this upscale loft in London, from the past Leah shares with another
character Natalie, as well as a guy named Felix, who is concerned about his
race. It is hard to grasp hard details of this book because it is written in
that awful style that seems like second rate Martin Amis, who is, I would
argue, already second rate. But like I said, despite that giant flaw, it is
sometimes fun, even though you may not know what is really going on. But it is
a quick read that some could finish in a day, if you really, really like it.
Rating: 3/5
No comments:
Post a Comment