I find it a bit hard to
criticize a book by Philip Roth, a writer whose influence, success and staying
power is second to none as far as American writers go. And even if I didn’t
like The Human Stain, there are books out there that I like and will like (such
as Everyman, which I read a few years ago, and Sabbath’s Theater, which seems
to be a big one with him, which I plan on reading next year). Despite the press
this books got because of the movie and the awards it got, mainly the
PEN/Faulkner Award, I see why this book is not one many critics look back on
fondly, following Roth’s rather gracious and humble exit from the world of
writing a little bit ago. The book is more than a bot long-winded and
over-written, and although the ideas it presents are still in question today,
the framework Roth uses is horribly outdated. The story is a bit too simple to
cover its almost 400 page length. Coleman Silk, a former dean of a liberal arts
college, after being forced to retire after rather bogus charges of racism that
lead, indirectly to his wife’s death, starts having an affair with Faunia
Farley, an illiterate janitor at his former college, carrying around a lot of
baggage and a psychotic ex-husband, who is intent on making her suffer for a
past tragedy. The story, narrated by Roth’s fictitious author Nathan Zuckerman,
is a bit too thin to cover the book’s length. It would have been better if it
was 200 pages at the most, and the story wouldn’t have faced unnecessary roadblocks
in the form of Coleman’s past. The book is set in 1998, and the time spent on
the Clinton scandal to showcase the ideas about what people sacrifice on the
alter of political correctness does work, but it makes the story feel really
dated. But the book is funny though; a scene where Faunia’s ex is thought to
have stolen her vibrartor is quite hysterical. There is probably a better place
to start with Roth than this.
Rating: 4/5
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