I first read
Javier Marias last year, and thought his novel All Souls was absolutely
fantastic. It took a tired cliché of the campus novel and made it deep and
introspective. I immediately went out and bought a few of his other books, like
all three books in his Your Face Tomorrow trilogy and the one that I just read,
A Heart So White. The introduction, by English author Jonathan Coe, says that
the book is a bit different than the straightforward All Souls, the book that
really put Javier Marias on the map. He was right; this book takes an entirely
different approach to the narrative. The confessional style is still there,
with a narrator who is quite unreliable. But in this new approach, which really
inundates the reader with facts and repetition, some of the power really gets
lost. But luckily, not all of it falls flat. The opening of the novel is quite
good, recounting, in oddly specific detail, the suicide of a woman who we learn
was the narrator’s step mom. It is really interesting the way Marias threads
little details through out this, from the blood stains on the floor, to the
food being chewed in the mouth of the woman’s husband. Fast forward to the
honeymoon of Juan, a translator, much like Marias himself, on his honeymoon,
when a strange incident with a woman who thinks he is somebody else forces him
to look at the suicide of his stepmom and uncover the reasons why it occurred.
It is cool in the way Marias tells a detective story from the point of view of
“Why rather than “Who”, but the constant bombardment of esoteric musings really
took away from my enjoyment of this book, and with an ending that was a let
down, this book is sadly forgettable. Hopefully Marias’ other books are as
great as I know he is.
Rating: 4/5
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