I will probably be repeating
many of the broader things I said in my review of Don Carpenter’s Hard Rain
Falling, but the novel I just read, Guillermo Rosales’ The Halfway House, is
another underappreciated masterpiece of 20th century literature.
From it’s compact length at barely over 100 pages, to a cast of freaks and
outcasts unlike any you have ever seen, every little moment in this
heartbreaking book never seems false and rings loudly with the sad truth about
not only Rosales’ lack of homeland, which eventually led to his suicide when he
was 47, but to certain types of person’s lack of homeland as well. Rosales’
novel deals with freaks and mutants; not the creative kind that will eventually
find a place among like minded-individuals, but the kinds of freaks and mutants
that will never find any kind of home in their lifetimes, and will most likely
die alone and forgotten in some dingy corner of a world that never gave them
chance to live. It is group of people that Rosales found himself in towards the
end of his life, and the way he writes about them, with humor, pathos and
breathtaking empathy, he gives life to this collection of misfits that is
really eye-opening. These people become martyrs in a way, vessels for all of
the hate, prejudice and grief in the terrible world that they were unlucky
enough to find themselves in. To Rosales, they are saints that deserve our
respect and reverence. The narrator, William Figueras, is a writer who finds
himself in Miami after being exiled from his home country of Cuba after Castro
finds his writing to extreme for the Communist government. He is committed to
the hallway house, and there he finds a group of crazed inhabitants who all
have special, severe issues: there is an eighteen year old virgin girl who is
so disheveled and beaten down by life, she resembles an old hag, there is a
one-eyed man who won’t stop urinating everywhere except the toilet, and an
American who keeps screaming at invisible people across the street. They are
all overseen by a cruel man named Arsenio, a man whose violent temper is only
outweighed by the paltriness of his tepid dreams of success. He tries to find
some sense of hope in his books that he has brought with him. When a troubled
woman named Frances comes to live there, he sees a way out of this hellish
environment. I’m not spoiling it to say that it doesn’t end well. But that is
part of the magic of this little novel. The love story is anything but
romantic, stripped of all idealism and passion and replaced with a strong
repugnancy. The sex scenes are written as if they are farm animals mating,
these two lost souls not searching for love, but for a lost humanity that has
been destroyed a long time ago. This is what One Flew Over the Cuckoo’s Nest
would be like minus the hope, because in Rosales life, and unfortunately in his
death, he found none. This is a powerful novel that you will not soon forget.
Rating: 5/5
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