300,000,000 by Blake Butler
is quite the book, and I am likely to not read another one like it for the rest
of the year. It is filled with chaotic poetry and brutal violence, and the only
real flaw it has its impenetrable vagueness, and even that can be argued by
people with different views of the book. Butler’s novel has two obvious comparisons
that are clear influences on the writing. One is 2666 by Roberto Bolano, which
I have talked about endlessly throughout my reviews, but I won’t get too much
into here, just to say that Butler’s novel shares the book’s five part
structure, appalling murder scenes and obsession with death, as well as it
having an epigraph taken from the book to open it. The other is Mark Z. Danielewski’s
House of Leaves, which it shares its Russian doll-like structure that folds in
on itself, creating the stuff of nightmares. While it never reaches the levels
of those two books, it is safe to say that 300,000,000 is way scarier than each
of them. It begins, if it really has one, with the capture of Gretchen Gravey,
a mass murderer whose body count is in the hundreds. He, along with an unknown
number of teenage accomplices have murder countless numbers of people. He doesn’t
speak, and shows no signs of guilt or acknowledgment of his crimes. Flood, a
detective on the brink of a breakdown, is assigned to the case, which includes
reading Gravey’s many manifestos which begin to push him over the edge, and has
unseen consequences for the rest of the world. A synopsis for this book is
rather useless, since it works more an emotional level than anything else. In its
attempts to break down language and our view of the world and our self, it
obtains a few rather horrifying notions that I found hard to shake, with the
commentary that made sense of things all but disappearing halfway in. It is not
a book for everyone, but I do recommend checking it out if you want something
new and fiercely original.
Rating: 4/5
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