Sometimes a book’s one good
quality makes it immensely readable and worth a recommendation, and that
perfectly sums up my feelings on John Sayles’ novel Union Dues, a novel taking
place at the tail-end of the sixties, and is sort of a back-handed love letter
to that era (to be honest, with Inherent Vice and Already Dead, I’m tired of
this type of book). I liked Sayles’ most recent book, the pet-crushing A Moment
in the Sun for its sheer audacity that it reveled in every chance it got. But
this earlier novel I don’t like as much, despite it having some qualities that
are better here than A Moment in the Sun, most importantly its dialogue and
cast of characters, which is as rich and rewarding as anything I have read in
recent memory. But when it comes to the structure of the novel, the ideas that
hold it together, it doesn’t form a cohesive unit. The plot of the novel
involves a father and son, Hunter and Hobie McNutt still reeling from the death
of the mother. Hobie, in a panic, decides to run away from home and join a
disparate group of radicals traveling throughout New England. On his search for
his son, Hunter falls in with a number of union laborers just trying to make
ends meet. The dialogue here from Sayles, also a successful filmmaker, is
impeccable and so entertaining, from the perfectly rendered Boston accent,
complete with phonetic spelling of certain words, to the song Hobie hears about
Jesus that shows religions connection to the high you get from drugs. There are
also a sex scene and a moment involving a stopped up toilet that are the
funniest I’ve read in awhile. My main complaint though, is that the cast of
supporting characters greatly overshadow Hunter and Hobie, who are simply
vessels for the events at best, and get in the way at their worst, making the
shock ending kind of a letdown. Still, this book is quite a thrilling near 400-page
sit by a true unheralded master of fiction.
Rating: 4/5
what is the the shock ending ?
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