Surprisingly, the language,
a lot of phonetic spellings of Scottish mispronunciations and accented
phrasings is not the biggest problem with Scottish writer James Kelman’s novel,
You Have to Be Careful in the Land of the Free. It’s actually one of the strong
points of this, and of Kelman’s work in general. It has an odd sort of grungy
poetry to it, making mundane actions look like profound movements, giving a humble
voice to someone who may have the intellectual capability to understand their
situation, but not the vocabulary, much like American author Larry Brown did
for his Mississippi, now that I have read novels by both authors. It is also
very funny at times and very dreary as well, offering the full spectrum of
human extremes. It is too bad that with this book, all of that is transposed onto
to someone who is as unpleasant and uninteresting as the novel’s narrator.
Jeremiah Brown, a Scottish immigrant, is spending what he feels are his last
days in the United States before he goes back to Glasgow to visit his mother. He
spends most of his time in a bar, or maybe many bars, since the book takes
stream of consciousness narration to the extreme by offering no chapter stops
and little indication as to whether something is happening in the present or
past. It’s not too unwieldy; since the book offers many acute scenes of desperation
and bliss, from his relationship with his ex-girlfriend Yasmin, a woman whose ambition
matches his lack thereof, to his guilt at leaving an unknown child back in the
states. Kelman is a serious novelist who tackles serious subjects, but this
book seems like a large misstep, focusing instead on flippant musings against
America from someone I’d argue reaped more benefits than he’d like to admit.
Still, reading this, or any of his books, is quite an experience for those unfamiliar,
and fresh to one of Europe’s greatest living writers.
Rating: 3/5
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