Reading Charles Bock’s debut
novel, Beautiful Children, is a beguiling, intoxicating experience that paints
a unique portrait of modern Las Vegas as well as a brutal heartbreaking view of
the life of under aged runaways. It’s never exploitative in what it presents,
even if some of the characters are, and it is always interesting, utilizing its
whirlwind narrative and many different viewpoints that keep a lot of the
characters’ true intentions in the dark, but still leave the audience guessing.
It falls into that category of neo-thriller that is both literary and
propulsive. Reading it, I couldn’t help but think of authors such as Dan Chaon
and Kelly Braffett, who have a similar style of storytelling, shifting between
time frames and perspectives to give the reader a strong sense of dread and
intrigue while still keeping the heart of the story intact. What sets Bock
apart from a Chaon or Braffett is his willingness to leave the reading audience
in the dark for much longer than they might be comfortable with. With someone
like Chaon, in particular his two fantastic novels, You Remind Me of Me and
Await Your Reply, Chaon slowly reveals himself by the end, and we are left with
a magnificent tapestry of a story we didn’t know until then even existed. This
book is not so neat. There are connections but they are fleeting, most of the
time painfully so, and by the end we aren’t left with something neat, but
something a rather bit painful but very true. The novel focuses on the
disappearance of a 12-year-old boy living in Las Vegas called Newell Ewing. He
went out one night, determined to undermine his parents, and never came back.
As I said, the story shifts timelines quite often, showing the Newel’s parents,
Lorraine and Lincoln, a former Vegas showgirl and pro baseball prospect
receptively, rocked by the disappearance and the mystery of it all months
afterward, retreating into their own private vices, Lincoln’s being porn, which
leads to one of the novel’s most brilliant shifts in perspective, which I won’t
reveal here. But the night itself, we follow Newell himself and Kenny, a shy
older boy who dreams of being a comic book artist and represses some confusing
sexual feelings, as well as Cheri, a stripper whose life of using and being
used she dulls with cinematic fantasies, her boyfriend Ponyboy, a gutter punk
who uses his offbeat charm to hurt and abuse those around him, especially Cheri,
and somewhat successful comic book artist Bing Beiderbixxie, whose overcome
many hurtles in life to make a name for himself, but still finds romantic love
depressingly out of reach. There are others we meet on this nocturnal odyssey
as well, like a couple of drifters who love for one another is waning, or never
existed at all, and Ponyboy’s boss, cruel man whose a product of life on the
edge and without love. All are connected in ways none would expect, and by the
end, Newell’s disappearance, the circumstances of which remain a bit ambiguous,
but very much appropriate, becomes a metaphor for these poor souls pain and
infinite sense of loss. It was a true pleasure to exist in this fictional
world, because for all its despair, it’s a truthful and beautiful story, much
as the title suggests.
Rating: 5/5
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