Dodgers, the debut novel of
author Bill Beverly introduces an exciting new talent into the world of
literary crime thrillers. His effortless
style and narrative capabilities are reminiscent of the greats that came before
him like Richard Price, George Pelecanos and Dennis Lehane, but beyond that,
bolstered by directions this story takes, I also found hints of writers like
Daniel Woodrell, Frank Bill and even Larry Brown. These are two different
classes of genre writers: they’re themes of failed redemption and inherited
violence are the same, but the places said qualities come out of very
different. It is a testament to someone like Beverly, especially with his first
novel, to bridge these two classes of books in such a simple and direct way it
is amazing something like this has not been done before. It flips a trope, the
heroes journey into the darkness of the world and their own heart, on its own
head, telling the story of four black youths, all under the age of 25, forced
by their drug running boss, to journey out of their South Central Los Angles
ghetto and travel halfway across the country to kill a potential witness. We
witness this forceful and murky change of scenery through the yes of East;
barely fifteen yet still harden by a life on the streets and under the tutelage
of his uncle Fin, a successful drug dealer. In the book’s opening, he is
watching over one of his uncle’s houses when he fails to alert those in charge
of police raid. Because of this, a little girl on vacation is shot in the
crossfire and dies in front of East. It is an incident that haunts him
throughout the book in both metaphorical and possibly literal ways. This leads
into the mission Fin sends East and three others on. Fin knows he is about to
be arrested and his only chance of escaping the charge is if a judge can be
killed. The only catch is that he is hiding out in Wisconsin. Fin wants East,
as well as three other boys who work under him to drive there and kill him.
What follows is a journey of discovery, both scary and transformative for the
four involved. Beverly, much like his counterparts, recognizes the high tragedy
in low people. These four, East, his trigger happy and psychopathic younger
brother Ty, Michael Wilson, the oldest and least mature and Walter, overweight,
ineffectual yet providing a much-needed balance to the proceedings, are overwhelmed
more by the new world of trees, woods, open space and rural poverty, more so
than they are of the dreaded task they must complete. The world they find themselves
in is a world of possibility, of newness, of escape from their fatalistic
vision of what life is like. Yet the deed they are there to follow through on
will all but rob them of any kind of viable future. They can see how big the
world is, but they are doomed to sheltered existence. A few twists and turns
come about, which I won’t reveal, and the ending is one that is inevitable, but
satisfying.
Rating: 5/5
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