There are writers who are
downright master of the short form almost exclusively, the obvious names that
come to mind being Raymond Carver and George Saunders who made their name just
from their short stories and there are masters of both short and long form
storytelling, like Haruki Murakami and Joe hill to name a just two. Joshua
Ferris fits too comfortably into a third category of a writer who’s only a
master of novels, because his first collection of short stories, The Dinner
Party, is dramatically uneven, with some stories working magnificently and some
making me want to hold my nose. It doesn’t help that all of the 11 stories here
are over 20 pages. It makes the stories that don’t work drag on, repeating
techniques that fail to engage the reader and making me feel relieved once I had
finished them. I’ll start out with the good ones, such as the title story that
opens this collection. It follows a couple whose conversational daggers, while
playful superficially hide an underlying malice. They are preparing for a
dinner party with some old friends. It is obvious they have grown apart when
they don’t arrive on time, and when the man ventures out to the friends house,
he is met by brutal reality check. With stories like these and The
Valetudinarian, where an elderly man celebrates a birthday only to have his
life saved by a prostitute his friend orders, Ferris is able to demonstrate our
tenuous connections to one another in shorter forms. But then you have stories
like “Fragments” and “The Stepchild” which switch up perspectives and feel like
shallow literary stunts. The collection ends strongly with “A Fair Price” a
story about a man unable to talk with the person helping him move that is rich
in ambiguity and sadness. Not a terrible collection, but after three homerun
novels, this is easily the most tepid thing Ferris has put out.
Rating: 4/5
No comments:
Post a Comment