I wouldn’t be surprised if I
(with the exception of one person, more on that) was the only person within a
50-mile radius to read Frederick Exley’s Pages From a Cold Island, a widely
unread sequel to book that still very few people have read. It is an odd feeling.
It’s like you are reading something just for you. It’s a good book, one that I
don’t think surpasses its predecessor A Fan’s Notes one of the great unheralded
works of 20th century literature, which I read back in 2009, and the
reading of this makes me curious to revisit it. Exley is skilled at these self
eviscerating swaths of prose that both impress you and fill you with pity for a
person who seemingly had mountains of talents but for some reason, both
personal and impersonal, seems destined to remain on the fringes of literary
history, a writer whose constantly being discovered, the quintessential
writer’s writer, something the title of his first book quietly implies. The
plot is meandering and a bit hard to follow on the surface, but it does take
place after the publication of A Fan’s Notes. Exley has found himself mourning
the death of writer and mentor Edmund Wilson, and takes to drinking to stave
off the grief and other demons introduced in A Fan’s Notes. During the course
of the book, he obsesses over a meeting with Gloria Steinem, infiltrates
Wilson’s family, badmouths Norman Mailer and begins having affairs with
students he teaches at the Iowa Writer’s Workshop. There is a harsh truth to
these vignettes; they use the real names of people (one being Dan Wakefield, a
writer from Indiana who taught at my college) and don’t always say the nicest
things. It wouldn’t surprise me to find out that a lot of Exley’s obscurity is
self-imposed. At times charming, at times annoying and at times sad, this
forgotten book by a forgotten author isn’t quite the hidden gem as some others
are, but it’s worth checking out if you come across it.
Rating: 4/5
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