It is hard not
to think of the work of Jay McInerney while reading Stephanie Danler’s first
novel Sweetbitter (and impossible really, since he provides the first blurb on
the back of the hardcover edition) and how dated his work, and sadly, this book
is. Bright Lights, Big City was surely a revelation in its time, using second
person narration to make it stand out from other similar works from the era.
But looking back it has not aged well, and you see that in a lot of the qualities
this book lacks. While its prose is sumptuous and reading it does feel like you
are sweating your ass off in the kitchen of a high class Manhattan restaurant,
it is sorely lacking in any kind of substance beyond the insular world of Tess,
the book’s protagonist. It starts off with a really strong scene that starts
from her escape from a cloistered small town she has grown up in to the big
city of Manhattan, only to be stopped at a tollbooth where she does not have
any change for a fare. It is a pretty big clue as to the pedantic nature of
success and failure in the world Tess will find herself in when she becomes a
waiter at an upscale New York restaurant. Danler’s attempts to give emotional
weight to Tess’s growth, to her erotic obsession with both Simone, a poorly
rendered ice queen and Jake, the hot tattooed bartender who is only a few
measly notches above Christian Gray, to her friendship with Will, whose too
nice of a guy to overshadow her obsession with Jake and to her downward spiral
feel overwhelmingly cheap and predictable. From it’s good opening to its ending
with a penultimate scene being rather tawdry and sad instead of provocative,
this story of a woman on the brink feels hopelessly stale. But at least it is
pretty to look at.
Rating: 3/5
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