Even in the darkest moments
of his novels, John Irving seems to have great warmth surrounding everything he
writes. He is a classical novelist in the most pure sense: he doesn’t have a
political agenda and he doesn’t try to meld your brain with complex narrative
or oddball syntax. He is a storyteller first and foremost, and despite it not
being the masterpieces that are some of his earlier novels, A Widow for One
Year, is still something to be cherished while reading. Irving is such a
compassionate author, and treats his characters with an astounding amount of
dignity, even when they are in the midst of doing something stupid, wrong or
heinous, or all of the above. While I would argue that the thing that is
missing from this particular novel is a large scope and a sense of urgency and
intrigue as to what might happen in the story, it never gets boring, and
contains passages that are some of Irving’s best. The novel focuses on Ruth
Cole, a famous writer who is both a celebrity and critical darling. The novel is
divided into three sections which each occur at a tumultuous time in her life.
We meet her at the age of four in 1958, where she is a pawn to grieving parents
in a game of romantic manipulation, at age thirty-six where we find her
surrounded by death, and at age forty-one, a recent widow who will fall in love
for the first time. It is hard to argue that this book warranted its massive
page count, it’s a much more intimate story than what I am used to from Irving,
and he seemed to be padding the book, especially toward the end. But there are
scenes here as I said that are great, involving a murder that is the most aggressively
violent thing that Irving has written and causing the witness in that murder to
become his most flawed creation. I really did like this book, and even though
it is no masterpiece, I still suggest you seek this book out.
Rating: 4/5
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