I hate to do what is
expected in this review of the latest novel by Haruki Murakami, the
long-windedly titled Colorless Tsukuru Tazaki and His Years of Pilgrimage, but
I am: while it I will use hyperbolic speech, I mean it when I say that this
might be the best novel he has written, and most certainly his most accessible.
To be honest, I can see why some people would be turned off by a Murakami
novel; they are filled with unanswered questions and vague symbols whose
meaning is, most of the time, secondary to how they make the character, and by
extension the readers themselves. And while that is what I have come to love
and cherish in his novels and stories, I can see why some people will find it a
turn-off. But even though it exists in this latest novel, it is more grounded
in reality and coincidence. There are no talking goats or talking cats, and the
sky will not suddenly sprout a second moon in this story. The events in this
novel run on pure emotion, and the emotion of each of these wonderfully drawn
people caught up in events that bring about sudden and radical change. This is
one of the best “late” novels that has ever been written: you can tell Murakami
is getting older and feeling the emotional effects of aging. Each page is
filled with burning regret and the kind of hopeful nostalgia that might hold
the unpromised hope for a bright future. It begins with the title character in
a tailspin of depression, only with someone like Murakami; it is a state of
being more akin to the destruction of the soul. The young Tsukuru has suddenly
become friendless after his four best friends from high school cruelly cut him
out of their life with no warning or explanation. This leaves a harsh wound in
him that continues on through his life until he is thirty-six, when he meets
Sara, a woman he is in love with, instructs him to go and seek out these four
individuals who cast him out all those years before. What comes after these
events is a journey that will take Tsukuru across the world to seek out a
missing part of himself that holds the key to what might be his last chance at
happiness. When I was reading this, I kept thinking of Murakami’s short
fiction, stories like “The Mirror” and “The Seventh Man” kept inching their way
into my headspace, since they possessed the same simple, mysterious quality
that you can apply to everyday life. Even the introduction to one of the
chapters, which is a story someone tells to Tsukuru, made me think at first
Murakami recycled it from the aforementioned “The Mirror”. There is something
simply magical about this book, with moments of heart stopping tenderness and
an ending that shows the importance of giving yourself up to chance sometimes
in life. This struck quite a chord with me in what I am going through right now
in life, but even if that wasn’t the case, this is still one of the best books
by one of the world’s best writers.
Rating: 5/5
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